After a day cooking under a heat warning's sun, the Making Box Theatre was as comfortable as a sauna when crowds packed in to catch the fina...

"Imagine 90 tedious minutes of a man driving across America," a voice instructed. "Imagine a windshield as it collects bug splats for a very...

Playing without singer Maggie Smith, Toronto's ambient pop unit WEARENOTWHOWEARE set up their laptops, synths and effects pedals facing each...

At the corner of Wyndham and Carden Street, passersby found an especially eccentric display in front of Ray Mitchell's reliably weird antiqu...

Stationed behind a synth and a microphone at the back of Incline/Decline co-organizer John Pritchard's apartment (inconspicuously labeled "L...

Three out of four bands playing Incline/Decline's Loft party tended toward the cold and detached, so that made Randy Gagne's "existential di...

Introducing themselves with an instrumental exercise that fed some slinky, all-over-the-fretboard guitar experimentation and plunging key pl...

Closing out the second night of Incline/Decline, as the only band from south of the border on the festival's bill, Brooklyn's JOBS  (formerl...

Most of the crowd at the Making Box Theatre had filtered out by the time WTCHS hit the stage, but a dedicated contingent of 20 or so people...

Offering listeners a break from the more cacophonous lineup surrounding them and providing a lesson in programming contrast, Toronto's psych...

In the spirit of Lightning Bolt before them, Guelph's self-proclaimed "bullshit hardcore" two-piece BSHC completely eschewed the stage at th...